Modern Design The vast array of tools and sounds in Logic Pro are always readily available but never in the way. Air English Standard 殲basic Program Using While Loop - Download Free Apps here. So you can work as quickly as you want and fine-tune whenever you want. Touch Bar Support Logic Pro X supports the Touch Bar on the new MacBook Pro. Use it to make precise edits to sounds, quickly navigate around your project, and even perform on instruments — right from the keyboard.
The Touch Bar gives you convenient access to the volume slider and all Smart Controls for the selected track. Navigation view lets you quickly move around your project by dragging across a visual overview of the arrangement.
Performance view turns the Touch Bar into a simple one-octave musical keyboard for playing and recording software instruments. Single-Window Interface Logic Pro is built around an elegant, single-window interface where editors, file browsers, toolbars, and sound controls can be easily brought in and out of view as needed. Add tracks and select Patches. Browse and import audio or loops. Fine-tune your sounds. Record and edit comps for multiple takes. Tell Drummer to play more fills.
Input chords and lyrics on your lead sheet. Automate the mix for hundreds of tracks. All from one central location, without managing multiple windows. And now Logic Pro X introduces a lighter, more modern interface that improves legibility in typical studio settings. Timing With Logic Pro, time can be as rigid or fluid as you need it to be. Record without a metronome, then drag beat guides to transients or MIDI notes in the region to conform bars and beats to the timing of the project. Doing a remix?
Drag in the original file, then use Beat Detection to set Logic to its tempo. Alternatively, you can make the audio file conform to the current tempo in Logic. Varispeed lets you slow down or speed up an entire project, so you can try your song at different tempos or temporarily slow it down long enough to nail a particularly difficult solo. With region-based automation, your automated changes are now embedded within any region, so you can repeat or loop them with all those swirling, sweeping, twisting effect parameters going along for the ride. Plug-in Menu Customization Create categories and group plug-in menu entries, with all your favorites placed right at the top of the menu.
Hundreds of plug-ins, including third-party plug-ins, can be organized however you like. Heads-up Tuner Keeping your guitar or other instruments in tune is easy with the heads-up tuner, which can be conveniently called up using the dedicated button on the Control Bar. The tuner automatically listens to the signal from the currently selected track when Input Monitoring is enabled. Smart Controls Smart Controls allow you to make changes without getting caught up in the details of navigating the sea of plug-in parameters behind each sound. Smart Controls are also very powerful.
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Each control can manipulate one or multiple parameters at a time, with each of those mappings being independently scaled. This means that when you start creating your own Smart Controls, you can fine-tune them to adjust the exact range of the parameter you’re targeting. There are multiple themes to choose from, so your amp controls can look like amps, drum machine controls like drum machines, and so on. Dual Channel Strips The Inspector window features dual channel strips that provide quick access to the channel strip of the current track as well as all other channel strips it is sending signal to.
Advanced Tools Advanced Tools let you choose the level of power and complexity you need. Turn them off and your menus and preferences will be streamlined, making it easier to focus on the features that matter for your workflow.
This option also allows for graduating GarageBand users to start with a feature set closer to what they’re used to, then enable more functionality as they need it. Working with Regions Every piece of audio or MIDI that you record or import into your project is represented in Logic as an editable object called a region. Part of the creative power of Logic is just how easy it is to move, edit, and loop these regions. Each region also has a set of nondestructive playback parameters that further increase the versatility of Logic. MIDI regions have settings for quantize, note length, transposition, and more, while audio regions have crossfade and region gain settings, for example. And now Selection-Based Processing allows effect plug-ins to be directly and permanently applied to any audio selection.
Plenty of Shortcuts Logic Pro provides a number of functional shortcuts designed to keep you moving. The Toolbar places everyday operations like Crop, Bounce, Split, and Join in a convenient, single-click location. An abundance of shortcut menus keeps your mouse travel to a minimum. And because a keystroke is faster than using the mouse, Logic has over a thousand customizable keyboard shortcuts. Quick Help If you’re new to Logic or can’t quite remember what a particular button is for, the contextual Quick Help is just what you need.
It provides hints for whatever part of the interface you’re currently hovering over. Track Stacks The ability to consolidate multiple related tracks into a single track is just one of the many uses for Track Stacks. Route all the tracks in a Track Stack to a common auxiliary channel for a quick and convenient way to submix tracks. Track Stacks can also contain their own auxiliary channels, so they’re perfect for configuring self-contained setups for parallel processing — a multi-amp guitar rig, for example. Track Stacks also make it easy to create layered and split instruments. Just combine two or more software instrument tracks into a Track Stack.
In a similar way, Track Stacks can simplify multi-out and multitimbral software instrument setups by combining instrument and all aux output tracks together in a single entity. Groove Track Groove Track lets you assign any of your tracks as the Groove Master. You can then select any of the remaining tracks to follow that track’s timing. It’s as easy as it sounds.
If you make changes to the Groove Master track, all the tracks following it update to follow the new groove. And thanks to Flex Time, this feature works well with both MIDI and audio tracks. Global Changes It’s easy to make major edits like removing sections, aligning a free-form performance to a musical grid, or creating a tempo map that gets you to a cue point on time. Global edit operations such as Snip, Splice, and Repeat apply to all tracks and project data. A special marker type called an Arrangement Marker lets you rearrange sections just by grabbing and moving marker objects.
And Global Tracks provide a graphical display for viewing and editing global song events like tempo and time signatures. Compatibility The open architecture of Logic Pro X lets you extend its creative power with a wide range of audio interfaces, control surfaces, and performance hardware. You can also explore more than a thousand third-party instrument and effect Audio Units, and incorporate sounds from applications like Ableton Live and Propellerhead Reason. Loops Build songs quickly by choosing from thousands of included royalty-free music loops that automatically conform to the tempo and key of your project. Find instruments more quickly by clicking the buttons at the top of the browser — buttons that designate the genre, mood, and type of sound you’re seeking. Logic Pro X includes a collection of more than 5600 electronic and urban loops, covering everything from Hip Hop to Electro House, Dubstep, Modern R&B, Tech House, Deep House, and Chillwave. You can also choose to download additional loops from the Legacy section of the Download Manager.
You can create your own loops by dragging any audio or MIDI region from your song into the loop browser. It couldn’t be easier.
Take Management Logic offers a simple, flexible approach to multi-take recording. Vamsam Serial Sandhya Facebook. When you record over existing material, your takes can be automatically stored in a take folder.
Expand the take folder at any time to see a graphical display of all your takes for easy auditioning and editing. Move a take folder anywhere in your arrangement and edit it just as you would any other region. And with Track Alternatives, you can create multiple versions of a track and switch freely between them to try out the different options. MIDI Recording Basic features for recording are the same for MIDI as audio, but additional options are specifically helpful when capturing MIDI data. For example, when laying down a drum groove while cycling the transport, you can have Logic create new tracks on each successive pass. So your kick, snare, and hi-hat parts are on discrete tracks when you’re done.
Logic can record MIDI coming from your iPad or iPad Pro with Logic Remote or from one or multiple MIDI controller keyboards simultaneously. If you don’t have either of those available, call up the Musical Typing keyboard and tap in your music right from your computer’s keyboard. Comprehensive Step Input features let you insert MIDI notes without having to perform. And Note Repeat and Spot Erase functions allow you to easily generate ear-grabbing patterns. Add tracks on the go from your iPhone or iPad.
Now you can easily add tracks to Logic Pro projects using GarageBand for iOS on your iPhone or iPad. Simply upload your project to iCloud from Logic Pro on a Mac. It appears in the GarageBand for iOS Song Browser as a new song, with a single-track reference mix that sounds just like the original project on your Mac. Use GarageBand instruments to add new tracks, then save the song back to iCloud, and your new tracks appear in the original Logic Pro project the next time you open it on your Mac.
Selection-Based Processing Now you can directly and permanently apply effect plug-ins to any audio selection. Use built-in Logic Pro X plug-ins or any third-party Audio Unit effects to render effects in any portion of an audio file, or to multiple files at once. You can apply up to 15 plug-in effects simultaneously, as well as A/B test two independent effect chains before applying. Selection-Based Processing is incredibly useful for creating short effects sections in a track, correcting flaws in a recording, or sonically treating sampler files.
Creative Flexing While Flex Time is primarily about correcting timing issues with audio recordings, it has features that make it an interesting creative sound design tool as well. For example, when Flex Time is enabled, you can slice a region into multiple smaller ones based on transients. Turn on Shuffle mode and easily reorder the pieces. Or stretch one piece radically, then toss the result into the EXS24 Sampler. For pure sound-warping fun, try radically flexing all or portions of a region using either of two creative Flex Time modes — Speed and Tempophone.
The results are not always predictable, but that can be a good thing. Turn Fill Gaps off for the Slicing mode and start tearing off little pieces of an audio file to create glitchy passages in seconds, rather than the hours it might take to build the same effect destructively in a sample editor. Fades and Crossfades Fades and crossfades can be applied to the beginning or end of any region. So you can soften the start or ending of a phrase, smooth a transition, or mask the junction between two regions where a difficult edit was made.
Apply fades with the Fade Tool or enable the Fade click zone so the tool appears whenever you hover in the upper-left or upper-right corner of an audio region. You can also apply a crossfade to one or more selected regions using a default or recently used value. And all fades are rendered in real time, so you hear your changes as you make them and projects load faster without your having to manage or save fade files. Editing in the Tracks Area Most audio edits can be performed with sample-accurate precision right in the Tracks area. Cut, copy, paste, or move regions using a variety of tools and functions.
Create comps. Shuffle, spot, align, or loop one or multiple regions with speed and efficiency.
Use Track Grouping when edits made to one track need to be applied to others in a related group. This advanced feature is especially critical for multi-mic recording scenarios — live drum recordings, for example — where maintaining phase alignment between tracks is paramount.
Flex Pitch Flex Pitch makes it possible to correct pitch, level, and other issues in monophonic audio recordings. While ideally suited for improving vocal tracks, it’s effective for all types of melodic recordings. You can transpose notes to explore new melodic ideas or extract them to a MIDI track, where you can double or harmonize your part with any software instrument Patch.
Basic pitch correction can be applied in the Tracks area, where a specialized edit view displays how far a note is from its intended pitch. The complete set of Flex Pitch tools is available in the Audio Track Editor, where notes appear in a familiar, piano roll–style interface. Out-of-tune notes are offset from perfect pitch, so it’s easy to identify them. Control points appear around any note you roll over, giving you instant access to all parameters without forcing you to constantly change tools. Besides tuning and transposition, there are controls for vibrato, pitch drift, formant, and even gain of each individual note. Flex Time Flex Time features make it easy to manipulate the timing and tempo of audio recordings.
The simplest way to use Flex Time is with the Flex Tool. Just select the tool and start pushing around beats by clicking and dragging anywhere within an audio region. For more precise editing and more visual feedback, enable Flex View. All the detected transients and edit points you’ve already made will appear. Then you can further edit those points, called Flex Markers, or click anywhere to add and edit as needed. Flex Time also makes it possible to apply quantize on an audio track using the same workflow used with MIDI tracks.
That includes using the Groove Track feature to lock the timing of one track to another. Quantization Quantizing involves the rhythmic correction of notes to a specific time grid.
Any notes not played in time are moved to the nearest position on the grid. Logic Pro X offers a sophisticated set of options for applying and adjusting quantization either to a region and its contents or directly to the note events in one of the MIDI editors. Accomplished keyboardists and MIDI drum kit players will especially appreciate the unique Smart Quantize feature that shifts notes in clusters and adjusts note lengths proportionally in order to preserve musical details like flams and chord rolls that are often lost with standard quantization.
Region-based quantize can be adjusted as you listen to the result, and there are parameters that go beyond the basic snapping of a start of a note to a grid. For example, you can actually quantize the dynamics of notes. This is especially interesting when using the Groove Track feature, as it means you can follow not only the timing of the Groove Master track, but the relative dynamics as well. Applying quantization to selected notes in any of the MIDI editors is easy and powerful. The Piano Roll and Score editors also offer Scale Quantize settings that let you snap selected notes to a particular key and scale.
Editing Logic Pro X has multiple MIDI editors for viewing and editing any type of MIDI data. With such a variety, you’re able to select an editor that best suits the task at hand. For example, the Piano Roll Editor is probably the best for adjusting note length. If you read music, you can’t beat the Score Editor, especially for editing multiple tracks at a time.
If you’re editing the velocities for drum hits, the Step Editor is the way to go. The Logic Pro X Piano Roll Editor is a versatile, powerful tool. Beyond the standard features, the useful Brush Tool allows you to add or delete a series of notes with a single gesture. Enable Time Handles to quickly duplicate, time stretch, or compress a selection of notes. Display drum kit or machine names instead of piano keys when programming beats.
And the Collapse view eliminates unused pitch lanes, so you can make more efficient use of screen space when editing. MIDI Draw MIDI data consists of more than just notes.
Modulation, pitch bend, volume, and expression data are all very common. MIDI Draw provides a graphical interface that makes it easy to see and edit this type of data.
It can be enabled on a region in the Tracks area or in the Piano Roll Editor or Score Editor. Region Inspector A number of other region-based parameters make the Region inspector an important go-to location for MIDI sequencing in Logic Pro X. Smooth out the most jittery performance by adjusting the Dynamics and Velocity settings.
Convert a legato performance into a staccato one or vice versa, using Gate Time. You can even push or pull the timing of an entire region with the Delay parameter. Classic features like these make Logic Pro X a powerhouse when it comes to composing with MIDI. MIDI Transform Another powerful tool in the MIDI processing arsenal is the MIDI Transform window. It transforms MIDI events — based on conditions, operations, and values you choose — into different types of events or events with different values.
Powerful Mix Console At the heart of Logic Pro X is a robust mixing console. It supports 255 audio tracks, 255 software instrument tracks, 255 auxiliary channels, and a nearly unlimited number of MIDI tracks. And there are eight effect sends and 15 audio plug-in slots per channel. So it’s more than ready to tackle even the most ambitious projects.
The Mixer also features a long list of innovations that make it simpler and more convenient to operate. For instance, you can filter the types of channels displayed, jump to the destination of a send, or show only the current track and all the channels it’s sending a signal to. You can bypass, move, or change a plug-in on a channel insert without using a single modifier key.
And when you create a send, an auxiliary channel is dynamically created to receive a signal from it. Logic Pro X also provides plug-in delay compensation for the entire signal path, so all your tracks play back with perfect sample accuracy.
External Control Surface Support The Mixer can be externally controlled by Logic Remote or by a range of hardware controllers, from simple home studio models to high-end professional control surfaces. Surround Mixing Logic Pro X offers end-to-end surround capabilities, allowing you to record, edit, and mix projects in surround up to 7.1.
You can play, record, and process multichannel, interleaved audio files. Surround level meters let you monitor volumes for all channels within a single channel strip. Logic Pro X also supports 12 surround formats, making it ideal for those involved in the creation of film and TV soundtracks. You can even bounce your song to a stereo audio file and immediately burn it to CD.
And with support for end-to-end, multichannel signal routing, you can submix surround tracks or use sends to route audio to surround auxiliary tracks. Flexible Panning The Surround Panner provides a graphical surround field to adjust track output signals to specific speaker positions in a Quad, LCRS, 5.1, 6.1, or 7.1 surround field. And true stereo panning gives you independent control of the left and right channels, expanding your creative options for manipulating a stereo signal. True Surround and Multi-mono Many of the Studio Instruments and Studio Effects, including Space Designer and Delay Designer, are designed for True Surround. This means that all the processing for surround is handled in the plug-in, to provide particularly rich, immersive effects. And thanks to the built-in multi-mono architecture support, you can use any plug-in with surround, not just True Surround plug-ins.
Track Groups and VCA Faders Logic provides both Track Groups and VCA faders for taking on the special challenges that come with managing large mixes. Assign any selection of channels to a track group, then control the levels or other parameters of all tracks in the group from any single channel in the group. For example, when you’re mixing multitracked drums, it’s easy to trim the level of the whole group while maintaining the relative mix of the kit. You can have up to 32 groups, and a track can be a member of multiple groups. The levels of multiple channels can also be scaled using assignable VCA faders. Automation All the parameters of the mixing desk, Smart Controls, and any plug-ins you use are integrated into a comprehensive automation system that allows for complex, total-recall mixes.
Automation can be written to either a track or individual regions to accommodate the needs of a variety of workflow scenarios. Using the system is simple and straightforward. No need to select or otherwise configure the parameters you want to automate beforehand. Just activate automation recording for a track, hit Play, and start moving controls. Your every move will be captured. View and edit the automation graphically for single or multiple tracks, including multiple parameters per track. Use either Trim or Relative mode to subsequently fine-tune existing automation.
And synchronize the writing and editing of automation for multiple tracks using Track Groups. Notation Logic Pro X transforms MIDI performances into music notation in real time as you play. The display of the notes is quantized separate from the MIDI events themselves, making it possible to produce perfectly readable notation for a performance that may be less than perfect. Imagine, for example, an eighth note figure that’s played with a lot of swing. With display quantize, you can notate as either eighth notes or eighth note triplets.
In either case, though, the performance will sound the same. Score Layout Logic Pro X offers plenty of elaborate layout functions and professional notation printout functions to allow you to quickly deliver anything from a lead sheet to a complete orchestral score.
There are projectwide settings for adjusting the overall spacing between notes and default bars per line, as well as tools for overriding those settings on a local, as-needed basis. A Page View mode lets you see exactly how your changes are going to translate to the printed page as you make them. Score Editor While Logic Pro X has an extensive set of features to support turning your performances into printable scores, the Score Editor is incredibly useful as a MIDI editor for anyone who reads music. It’s the only editor that allows you to see and edit multiple discrete tracks — stacked horizontally — of data at a time. You can also see more bars of a single part than with any other editor thanks to the Wrapped view option.
Enable the Duration Bars option and you can graphically edit the length of notes as well as pitch, just as with the Piano Roll Editor. And you can use external fonts including Jazzfont, Swingfont, and the open source Bravura font when they’re properly installed on your computer. Alternatives Experiment with and manage different versions of your project with the Alternatives feature.
Project alternatives let you save “snapshots” of a project in different states, including different arrangements or mixes. Alternatives are conveniently saved as part of the project, and each has its own set of backup versions. Autosave Autosave maintains a continuous backup of your work so that you don’t lose important changes if something goes wrong. If a project closes unexpectedly, you can choose between the autosaved and last manually saved version of the project.
Advanced Audio Files When you record, bounce, or export audio files with Logic Pro X, tempo events are automatically included. With Flex Time, this means audio imported from other Logic projects can automatically conform to the tempo of the current project, even if there are tempo changes. Project markers come along for the ride too, so the bounced stems you send to friends can include markers saying where and what you’d like them to play. Track Exchange Selective Track Import makes it easy to transfer track contents and setups between projects. Pick and choose the components to import, such as the regions, effect plug-ins, sends, and more, on a track-by-track basis. For example, you might like the sound you’ve dialed in for the vocal track in the current version of the song, but the performance is better in an older version.
Selective Track Import lets you bring in the previous performance with just a few clicks. Alternatively, you can import just the mix from one project without changing the audio tracks in the current session. Logic Pro X also provides a flexible set of options for bouncing single or multiple tracks at a time so you can easily share the audio files with other musicians or engineers you’re collaborating with. You can choose whether the bounced files render in the effects or existing automation on any of the tracks. File Interchange Import and export MIDI files, Final Cut Pro X XML, and AAF files to facilitate collaborative workflows. You can also export your music score as a MusicXML file if you want to open it in a dedicated music engraving application, or import MusicXML files from other notation apps or from online XML file sources.
Project File Management A sophisticated set of asset management options let you gather and store your choice of project files into a single folder, or even the project package itself. This ensures that all the recordings, sample files, and other files used by your project will be available when you take them to a new location. Project file cleanup features help you conserve hard disk space and keep things organized by ridding projects of unused files and outdated backups.
You can also share bounced songs directly to your SoundCloud account from the Logic Pro X File menu. Support AppleCare Professional Audio Support can help you keep your project running smoothly whether you’re setting up a new installation or troubleshooting an existing setup.
Find up-to-date information about key topics as well as basic troubleshooting tips. Find up-to-date information about key topics as well as basic troubleshooting tips.
Training Whether you’re a beginner or a seasoned professional, you can expand your skills at an Apple Pro Training center. These centers meet Apple’s highest standards for facilities, instructors, course delivery, and infrastructure.
An Apple Certified Pro has demonstrated operational knowledge of one of Apple’s professional applications. Online Communities As the world of Logic Pro professionals continues to expand, the body of collective knowledge grows with it. Tap into a rich source of information sharing and collegial support by joining a user group, participating in a web forum, or browsing a Logic Pro blog. User Groups Join a Logic Pro user group in cities across the United States or around the world. • • Web Forums Share insights and information with the worldwide community of Logic Pro X users.
Get help with problems and questions from Apple’s official Logic Pro X support community. Learn more about Logic Pro X from one of the most active and supportive web communities focused on Logic Pro X, MainStage and GarageBand. This is the most popular sub for Reddit users who want to learn more about Logic Pro X. White Papers Learn how to morph between and combine elements of different sounds in exciting new ways. Examples demonstrate the behavior and effect of each Morph Element control to illustrate some of the creative potential of the morphing and resynthesis tools in Alchemy.
Read a workflow-driven examination of tools and techniques in Alchemy to creatively alter loop playback. Explore examples demonstrating how to make loops play at project tempo and transpose in real time. Additional demos take it a step further, showing how to transform loops with modulation and other effects. Books and Web Tutorials Whether you’re new to Logic Pro and MainStage or just looking to pick up some tips, you can get up to speed quickly by reading books or viewing online tutorials provided by leading video training developers.
Extensive collection of online courses for Logic Pro X and MainStage. Training staff include Grammy and Emmy Award–winning producers and professional audio engineers. Learn about everything from Flex Pitch to the Arpeggiator, Track Stacks to Retro Synth, and more. Comprehensive tutorials for Logic Pro. Informative, easy-to-follow training for Logic Pro X beginners and experts.
Logic Courses provides both a basic/intermediate course and an advanced course to support all levels of users. Courses are delivered through a series of online video tutorials that you can access anytime from wherever you are. The Complete Logic Pro X, more than 15 chapters of how-tos, tips, and tricks. David Earl, also known as SF Logic Ninja, provides more than 100 videos on how to get the most out of Logic Pro X and MainStage.
Learn to use Logic Pro X with free step-by-step tutorials. Over 70 tutorials on Logic Pro X products. These visually oriented guides make it easy to go deep with Logic Pro X.
Said: Can anybody tell me please, how does Animoog's Minimoog expansion pack compare to their iOS Minimoog app? Having the vintage synth/fx/model D iap's, can I delete my Minimoog app to save space? To my ears, these sound different and I'm not sure you can replace the Arturia's iMini (if this is what you are talking about) with this expansion pack. However, the Minimoog expansion pack is really really good, and you won't regret to have it. It's much better than the R.Devine or Monster pack.again this is my opinion. Said: Can anybody tell me please, how does Animoog's Minimoog expansion pack compare to their iOS Minimoog app? Having the vintage synth/fx/model D iap's, can I delete my Minimoog app to save space?
They did a good job capturing the various oscillators, but there are some limitations that keep it from sounding and playing like a Model D. The main issue is that the Animoog filter doesn't sound like a Mini filter. You can ALMOST get around this by using the 'Filter Sweep' timbres and using the X-Y pad in lieu of an ADSR (e.g. Left to right for a downward sweep).
It's limited but I was impressed with how far I got -- they sampled numerous filter sweeps with varying resonance. They also sampled a bunch of PWM sounds and did some feedback patches as well, but you need to use the Animoog filter if you want realistic PWM. It sounds pretty good if you're willing to put in the time and look past the limitations. But it takes a lot of tweaking to get pretty close. I don't think that the soundpack will comfortably replace your Mini app, unfortunately.
Hopefully this makes sense. I'm typing on my phone. Said: To be honest, I've not purchased a single expansion pack due to lack of previews of what kind of noises they make. Now if Moog did a sale on the IAPs could consider getting at least a few of them. Hi Sam, I have done at least three individual Expansion Pack demos for Animoog, just search exactly this in YT thesoundtestroom Animoog Expansion, I think I have done the Greatful Dead, Monster Moog and Richard Divine so far, but if you or anyone else want to hear another specific pack please let me know and I'll get one done. Said: So I have a question.
I have Animoog for iPhone and am aware that expansions I purchase are not compatible with the big Animoog. But I have been looking at the expansion packs on animoog.org and they do not specify which version of Animoog these expansions work with.
Now my question is, are expansions other than the ones bought through IAP compatible with both Animoog versions, or are these all made for the big Animoog version? All the patches will work on either version of Animoog, as long as you have the timbres installed. Said: To be honest, I've not purchased a single expansion pack due to lack of previews of what kind of noises they make. Now if Moog did a sale on the IAPs could consider getting at least a few of them.
Hi Sam, I have done at least three individual Expansion Pack demos for Animoog, just search exactly this in YT thesoundtestroom Animoog Expansion, I think I have done the Greatful Dead, Monster Moog and Richard Divine so far, but if you or anyone else want to hear another specific pack please let me know and I'll get one done This thread is super old! I've got all the Animoog Packs already.
Bought them in 2016 or something like that. Said: To be honest, I've not purchased a single expansion pack due to lack of previews of what kind of noises they make. Now if Moog did a sale on the IAPs could consider getting at least a few of them. Hi Sam, I have done at least three individual Expansion Pack demos for Animoog, just search exactly this in YT thesoundtestroom Animoog Expansion, I think I have done the Greatful Dead, Monster Moog and Richard Divine so far, but if you or anyone else want to hear another specific pack please let me know and I'll get one done This thread is super old! I've got all the Animoog Packs already. Bought them in 2016 or something like that Ha, that’ll teach me to look more closely at the dates, I need a lie down. Said: To be honest, I've not purchased a single expansion pack due to lack of previews of what kind of noises they make.
Now if Moog did a sale on the IAPs could consider getting at least a few of them. Hi Sam, I have done at least three individual Expansion Pack demos for Animoog, just search exactly this in YT thesoundtestroom Animoog Expansion, I think I have done the Greatful Dead, Monster Moog and Richard Divine so far, but if you or anyone else want to hear another specific pack please let me know and I'll get one done This thread is super old! I've got all the Animoog Packs already. Bought them in 2016 or something like that Ha, that’ll teach me to look more closely at the dates, I need a lie down No worries, happens to me too sometimes. Said: To be honest, I've not purchased a single expansion pack due to lack of previews of what kind of noises they make.
Now if Moog did a sale on the IAPs could consider getting at least a few of them. Hi Sam, I have done at least three individual Expansion Pack demos for Animoog, just search exactly this in YT thesoundtestroom Animoog Expansion, I think I have done the Greatful Dead, Monster Moog and Richard Divine so far, but if you or anyone else want to hear another specific pack please let me know and I'll get one done This thread is super old! I've got all the Animoog Packs already. Bought them in 2016 or something like that Ha, that’ll teach me to look more closely at the dates, I need a lie down No worries, happens to me too sometimes Sorry guys! I was trying to see if my question was already answered in the past and forgot I was looking at an old thread.